© 2024 SID WHITE-JONES.
ALL RIGHTS RESERVED.
Publications
In 2020, my work was selected for the fourth edition of The Archive Hotel, an Belgian autonomous platform for artistic research which publishes material dedicated to the artist's archive, embracing homage and conflict…
Read MoreMy Daughter Terra an anthology collaboratively produced by Nina Hanz, Betty Brunfaut, Bakhtawer Haider, Kristina Chan and João Villas. It brings together a wide range of international emerging artists, architects, designers and writers engaging with the language and mythologies of environmental responsibilities…
Read MoreI am delighted to have had my image ‘Untitled, Still Life’ (2017) selected for print within ‘POETRY’, the very first publication by Shutter Hub Editions…
Read MoreIn 2020, I was interviewed by the editors of ICBQ Magazine about a previously unused and untitled body of photographic work. The conversation I had with the editors led me to re-explore the images in question - images which later formed my project ‘Residues’ (2020)…
Read MoreImagery from my series ‘Studies in Still Life and Landscape’ (2017) is featured within the ninth issue of BAIT Magazine; a termly publication founded by Amy Baxter in response to the Cambridge money-burning scandal. BAIT Magazine discusses controversial social issues through opinion pieces, art, photography and poetry. Due to the coronavirus pandemic, BAIT’s ninth issue ‘Online’ was originally released as a digital issue in June but eventually made its way to print in October…
Read More’YEARBOOK 2020’ is a print publication created by Shutter Hub. Sourced from the Shutter Hub exhibition of the same name, the publication features 100 selected works chosen by a selection panel made up of; Tallie Wright, BenQ; Beth Kane, Exposure Photography Festival; Judith van Linden, Fujfilm Original Photo Paper; Sarah Belfort, Newspaper Club & Karen Harvey, Shutter Hub…
Read MoreImagery from my series ‘Dearest Malcolm and Carol’ (2016) is featured within the eight issue of BAIT Magazine, ‘Memory’. This issue required featured artists to submit work which reflect memories in any capacity…
Read MoreImagery from my series ‘Conjunction’ (2018) is featured within Folium Publishing’s latest release; ‘The Scaffold’. The publication brings together twenty-one artists for a study on construction, from internal rigging and support structures to temporal and digital networks that govern the everyday…
Read MoreUncertain States The 10th Anniversary Edition, Issue X was designed ‘to be a vehicle for celebrating and marking the extraordinary contributions Uncertain States has made to the continual development of the medium through the collaborations with writers, artists and academics in the last 10 years’. It was a pleasure to co-edit this issue of the broadsheet alongside researcher and fellow photographer Juneko Haga (Human Interfaces Creative Lab)…
Read MoreImagery from my series ‘Studies in Still Life and Landscape’ (2017) is featured within the nineteenth issue of Storehouse Magazine, ‘Process’. The project explores the commonalities and boundaries between the fine arts and photography. More images from this series are available here on my website…
Read MoreThis year Free Range Shows held their nineteenth annual creative showcase at The Old Truman Brewery, London, between the 20th June - 8th July. My photograph ‘Untitled, Still Life’ (2017) was used to promote these shows throughout London…
Read MoreImagery from my series ‘Not all Fish get caught in the Ice’ (2019) is featured within the newest issue of Uncertain States Magazine. The series explores the subconscious mind through pareidolia and the abstract…
Read MoreThe theme for Uncertain States Issue #30 was ‘TRANSFORMATION’. It was a pleasure to co-edit this issue of the broadsheet alongside researcher and fellow photographer Juneko Haga (Human Interfaces Creative Lab)…
Read MoreUncertain States Issue #30: The theme for Issue #30 was WE ARE / WE ARE NOT. It was a pleasure to Guest Edit this issue alongside the Human Interfaces Creative Lab and Research Group…
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